In Venus Reborn, classical iconography is reimagined through the fluid, vaporwave and ever-morphing language of generative visuals. The myth of Venus is not just updated but algorithmically recomposed, evoking both a continuity with art historical tradition and a rupture from human-centered representation. AI here becomes a mythopoetic force, regenerating cultural archetypes through a non-human gaze.

Saraieva’s Artificial Forest presents a synthetic ecosystem where nature is no longer observed but simulated. The forest’s agency is embedded in its artificiality—it grows, pulses, and mutates as a reflection of technological processes rather than ecological cycles. The viewer is immersed in an environment that invites sensory contemplation while subtly dislocating the boundaries between the organic and the synthetic.

Wang’s Echoes of The Displaced explores memory and trauma through AI-generated imagery that seems to hover between presence and absence. The video evokes a sense of fragmentation and spectrality, where displaced identities and landscapes emerge and dissolve in a continuous loop. AI here acts not only as a generator but also as a medium of mourning—a non-human witness to human loss.